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So, working with an iPad or other tablet can make a great addition to a show.Īnd the good news is, these applications can also be easily be integrated with a DAW-based setup using an audio or MIDI interface. More and more electronic musicians are looking to incorporate live elements into a typical DJ set. Many of these synthesizer applications also work great in a live performance setting. Not to mention, it’s actually inspiring to work with something new! An interesting synthesizer app can bring the producer out of their comfort zone and help them to come up with new ideas. Of these applications, some of the most innovative ones are synthesizer and sequencer applications.įor example, the 808-like drum sequencers app has evolved into robust synths and sequencers that measure up to other common tools.Īnd the things is, these apps are actually much cheaper than their common counterparts.
#AUDULUS FOR IPAD PATCH#
This means that creating that perfect synth patch and jotting down ideas for tracks can now be done anywhere and at anytime. Maybe make a poll in the forum? I could do that, people know me there.There are now hundreds of applications on mobile devices, allowing producers to finally work on the move! Yeah, not easy to decide which way to go.
The third option is to do a $10 version with no saving, and a $100 version with saving. To prevent pirated patches.įor Aalto it would be different, sound editing should be allowed of course, but maybe just prevent saving (and import from desktop version). The patch import is hardware specific, it can only be imported to a specific (machine number) iOS device.
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One can load patches exported from the desktop software, so users with a desktop license can do much more with the iOS app, while the others can enjoy the internal sounds without paying anything. The app is free, with a couple of good sounds, but no editing and saving. And then there will come the question: 'what does Aalto better than my other 20 polyphonic synths I already have?'.Ī rather clever approach did Imoxplus with its iOS version of the excellent Respiro instrument. However this will possibly create a huge sale at the beginning, and then later only sporadic sales. $30 might be a good introduction price for the first month, then the official price of $50-60 or even higher. Some Soundplane owners would like to use the app, and how do you connect? This is going to be rather complicated. Soundplane integration is another important topic. But who knows, sometimes opens a window with an opportunity, and things go easily. But I understand fully if Randy decides against it, I would probably decide against it too if I were him. To help with this problem, I may be able to contact certain iOS developers.
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A collaborator who would ideally also take care of customer support, otherwise this software forum would be floated with problems and requests from a completely new corner.įrom my personal point of view, I would love to have Madrona Labs apps on my iPad, especially since I own a Sensel Morph controller (Madrona Labs synths belong to the few that really go well with this controller, or similar controllers).
Maybe a collaboration with such a seasoned developer would make sense. Also there may appear problems with different devices, iPad Pro, different resolutions, etc. And there are the iOS updates too, which - again - regularly pose fundamental and painful problems to developers. Synth apps usually need to be updated regularly. This is quite something, it needs a seasoned expert to accomplish this task.
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In today's iOS world, the distinguished customer expects full iOS integration with support for Ableton Link's latest version, AU's latest version, IAA latest, as well as the current Audiobus integration. Although I would guess that Madrona Labs apps would be successful despite those announced MI apps, I would probably hesitate if I were Randy. It looks like there will be a couple of free apps using the now open source Mutable Instruments resources.
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